Soft colors
I’m in awe of this place - its spaces, its people, its warmth. . The beautiful home of @winden.
Would love to be here right now. Source unknown.
Historic spaces
I feel sexiest when I’m alone.  When the only perception of me comes from myself.  When I’m naked, when I’m dressing, when I’m dancing, when I touch my own skin.  I used to think that sexy was a label another would have to give to me.  But now I know it has nothing to do with another.  It’s a state of being, a presence. It comes from within. “What makes you feel sexy?” for @onourmoon . I took this photo a little over a year ago, during the height of an extremely grueling life trial. I was also sick, bloated, and on day one of my period. I didn’t feel “pretty,” but I met the camera and the gaze with neutrality, with an inner knowing that came from showing up for some really fucking difficult shit. It’s not the most flattering photograph, but it’s raw and real - it’s me.
The simplicity that comes from looking within... @johandeckmann
@meadowsweetmercantile
By letting go of the stories and expectations of our objects, we are actually strengthening our connection to them.  We are seeing them in their purity, and in this space we can see ourselves more clearly.  We can honor ourselves as we are.  In a physical sense, we can honor the shape of our bodies, the curves and crevices and marks (just as we do with our objects), and then we can honor ourselves in the metaphysical sense - in our wholeness.  When we go to the metaphysical without first grounding in reality, we can get ourselves in spaces of delusion and fantasy, where things become skewed. So when we work with our objects, we can rely on their concrete nature.  This structure is what actually helps us to live with more ease and fluidity.  We can be here, now.  Free of our stories and past experiences.  Free of what others may think of us.  We forget about all of that.  We can be present. . Read more on the journal - link in bio. 📷 via @oscarpiccolo
“Wear it as a promise to be the change you want to see and we’ll donate 15% of its sales to Girls Inc.” @vraiandoro @girlsinc
By letting go of the stories and expectations of our objects, we are actually strengthening our connection to them.  We are seeing them in their purity, and in this space we can see ourselves more clearly.  We can honor ourselves as we are.  In a physical sense, we can honor the shape of our bodies, the curves and crevices and marks (just as we do with our objects), and then we can honor ourselves in the metaphysical sense - in our wholeness.  When we go to the metaphysical without first grounding in reality, we can get ourselves in spaces of delusion and fantasy, where things become skewed. So when we work with our objects, we can rely on their concrete nature.  This structure is what actually helps us to live with more ease and fluidity.  We can be here, now.  Free of our stories and past experiences.  Free of what others may think of us.  We forget about all of that.  We can be present. Read more on the journal - link in bio. . . John Baldessari, True to Form (from Goya Series), 1997
Woke up, made breakfast, meditated outside in the sun, built a fire, sat on the sofa, and now I’m about to walk to the garage to get in the sauna. New Mexico is treating me well.
Butt on bed feet in the air kind of day